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‘Door Mouse’ Review: Neo-Noir Thriller Mimics Comic Book Language a Little Too Well
Avan Jogia’s feature directorial debut ‘Door Mouse’ perfectly copies comic book language, for better and for worse.
‘The Subtle Art of Not Giving a #@%!’ Review: Documentary Doesn’t Want You to Give a #@%! About Its Message
Is this real life? Or is it a TED Talk?
‘Plane' Review: Gerard Butler and Mike Colter Are Stranded in Action-Thriller That Is Short on Both
While some of Butler's recent popcorn flicks have been good fun, his latest is only sporadically silly and largely forgettable.
'Skinamarink' Review: Kyle Edward Ball's Feature Debut Is a Horror Masterpiece
This modern horror nightmare is the type of experience that must be seen in theaters as a demonstration of the full potential of the cinematic form.
'Servant' Season 4 Review: M. Night Shyamalan Serves Up Familial Frights and Biblical Brutality
The end is nigh in this sinister series that continues to prove the most unsettling and uproarious of tales can come from the simplest of settings.
'The Last of Us' Review: Everything a Great Adaptation Should Be
Starring Pedro Pascal and Bella Ramsey, The Last of Us brings one of the best video game stories to life in a beautiful new way.
'Vikings: Valhalla' Season 2 Review: A High-Stakes Journey With the Same Humor and Heart
The Netflix series returns with a journey that pushes the characters far beyond their comfort zones.
‘Ghosts’ Season 2 Review: CBS Sitcom Illuminates Witty Spirit With Midseason Premiere
The winter premiere of ‘Ghosts’ sophomore season and its 2023 offerings is serving up more than just laughs.
‘Ginny & Georgia’ Season 2 Review: An Emotional Follow-Up That Packs Too Much of a Punch
The mother-daughter duo are back for Season 2 with even more glitter-coated secrets than before.
‘M3GAN’ Review: This Killer Doll Movie Sets the Bar High for 2023
It may just be this year's Malignant.
'The Bad Batch' Season 2 Review: Transformation in the Face of Change
'The Bad Batch' are back and facing the increasing danger of a galaxy at war.
'Your Honor' Season 2 Review: A Lesser But Still Worthy Follow-Up
Grief, corruption, and power are all at the center of the second season.
'Anne Rice's Mayfair Witches' Review: An Only Somewhat Spellbinding Gothic
'Mayfair Witches' premieres Sunday, January 8 on AMC and AMC+.
'Kaleidoscope' Review: Giancarlo Esposito Can't Save Netflix's Latest Experiment
Kaleidoscope is an interesting idea that works far better in theory than it does in execution.
'Copenhagen Cowboy' Review: Nicolas Winding Refn's Netflix Series Is a Haunting and Humorous Journey
A collage of the beauty and brutality of a dreamlike world, this show is one of Refn's most oddly entrancing to date.
‘White Noise’ Review: Noah Baumbach’s Satire Is Too Busy For Its Own Good
Starring Adam Driver and Greta Gerwig, 'White Noise' has an impressive look, but ends up being guilty of what it criticizes.
‘This Place Rules’ Review: Andrew Callaghan’s Messy Portrait of American Decline Uncovers Deeper Truths
A look into the recent past that may just be prophetic about the future, 'This Place Rules' highlights the way America itself has become unhinged.
'Cannibal Holocaust' Review: A Macabre Work of Exploitation Cinema That Continues to Endure
In Collider's look back at classic films, we dig into one of the most gruesome works of horror ever made.
'A Man Called Otto’ Review: Tom Hanks Is a Grumpy Old Man in Tonally Awkward Adaptation
Marc Forster's adaptation of Fredrik Backman's "A Man Called Ove" is at its best when it focuses on friendships and not the gruffness.
'As Good As It Gets' Review: Jack Nicholson's Curmudgeon Shouldn't Be As Likable As He Is
When movie magic works, it works.