'The Offering' Review: Good Old-Fashion Scares That You Just Cannot Refuse
The Offering won’t get any points for originality, but people looking for well-crafted horror can’t go wrong with Park’s latest film.
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‘The Old Way’ Review: Nicolas Cage Leads a Familiar and Forgettable Western
Not even Nicolas Cage can save this movie from feeling like a dusty retread of past Westerns.
‘Saint Omer’ Review: Alice Diop’s Stunning Legal Drama Challenges Our Conception of the Genre
One of the last great films of 2022 is one that takes place almost entirely within a lone courtroom though reveals something far more expansive.
‘Door Mouse’ Review: Neo-Noir Thriller Mimics Comic Book Language a Little Too Well
Avan Jogia’s feature directorial debut ‘Door Mouse’ perfectly copies comic book language, for better and for worse.
‘The Subtle Art of Not Giving a #@%!’ Review: Documentary Doesn’t Want You to Give a #@%! About Its Message
Is this real life? Or is it a TED Talk?
‘Plane' Review: Gerard Butler and Mike Colter Are Stranded in Action-Thriller That Is Short on Both
While some of Butler's recent popcorn flicks have been good fun, his latest is only sporadically silly and largely forgettable.
'Skinamarink' Review: Kyle Edward Ball's Feature Debut Is a Horror Masterpiece
This modern horror nightmare is the type of experience that must be seen in theaters as a demonstration of the full potential of the cinematic form.
‘M3GAN’ Review: This Killer Doll Movie Sets the Bar High for 2023
It may just be this year's Malignant.
‘White Noise’ Review: Noah Baumbach’s Satire Is Too Busy For Its Own Good
Starring Adam Driver and Greta Gerwig, 'White Noise' has an impressive look, but ends up being guilty of what it criticizes.
‘This Place Rules’ Review: Andrew Callaghan’s Messy Portrait of American Decline Uncovers Deeper Truths
A look into the recent past that may just be prophetic about the future, 'This Place Rules' highlights the way America itself has become unhinged.
'Cannibal Holocaust' Review: A Macabre Work of Exploitation Cinema That Continues to Endure
In Collider's look back at classic films, we dig into one of the most gruesome works of horror ever made.
'A Man Called Otto’ Review: Tom Hanks Is a Grumpy Old Man in Tonally Awkward Adaptation
Marc Forster's adaptation of Fredrik Backman's "A Man Called Ove" is at its best when it focuses on friendships and not the gruffness.
'As Good As It Gets' Review: Jack Nicholson's Curmudgeon Shouldn't Be As Likable As He Is
When movie magic works, it works.
‘The Godfather’ Review: After 50 Years, It’s Still a Movie You Can’t Refuse
In Collider’s look back at classic films, a first-time watcher reviews Francis Ford Coppola’s legendary 1972 mafia movie.
‘Glass Onion: A Knives Out Mystery’ Review: Rian Johnson Peels Back the Layers in a Masterful Whodunit
Starring Daniel Craig, 'Glass Onion' is bigger, more ambitious, and more entertaining than 'Knives Out' in every way.
‘Matilda: The Musical' Review: The 1996 Movie’s Boring Younger Sister
The new Netflix adaptation sucks out all the fun and magic that are synonymous with Roald Dahl.
‘The Pale Blue Eye' Review: Christian Bale and Henry Melling Get at the Tell-Tale Heart of an Edgar Allan Poe Mystery
Scott Cooper expertly adapts Louis Bayard’s novel, with Christan Bale and Harry Melling at the heart of the mystery.
‘Whitney Houston: I Wanna Dance With Somebody’ Review: Naomi Ackie Shines in a Musical Biopic That Does Not
As it turns out, even the story of one of the most enduring musical talents in history can become reduced to a generic biopic.
'Scare Package II: Rad Chad’s Revenge' Review: Chad Is Still the Same, For Better or Worse
Despite all its flaws, ‘Scare Package II: Rad Chad’s Revenge’ is still a great movie to watch in good company while hunting for horror easter eggs.
‘The Boy, the Mole, the Fox and the Horse’ Review: Charlie Mackesy’s Story Is a Wonderful Holiday Gift
Idris Elba, Tom Hollander, and Gabriel Byrne lend their voices to this deep and stunning work of art.